Listed 50 sub titles with search on: Monuments reported by ancient authors for wider area of: "SIKYON Municipality CORINTHIA" .
SIKYON (Ancient city) CORINTHIA
After the hero-shrine of Aratus is an altar to Isthmian Poseidon.
Behind the sanctuary of Hera he (Adrastus) built an altar to Pan.
Behind the sanctuary of Hera he (Adrastus) built an altar to Pan, and one to Helius (Sun) made of white marble.
On one day in each year they celebrate a festival to them and offer sheep big with young as a burnt offering, and they are accustomed to use a libation of honey and water, and flowers instead of garlands. They practise similar rites at the altar of the Fates; it is in an open space in the grove.
TITANI (Ancient city) SIKYON
The sanctuary is built upon a hill, at the bottom of which is an Altar of the Winds, and on it the priest sacrifices to the winds one night in every year. He also performs other secret rites at four pits, taming the fierceness of the blasts, and he is said to chant as well charms of Medea.
SIKYON (Ancient city) CORINTHIA
Sanctuary of Olympian Zeus at Athens, at Ephesus, at Megara, at Sicyon.
On the modern citadel is a sanctuary of Fortune of the Height, and after it one of the Dioscuri. Their images and that of Fortune are of wood.
On the modern citadel is a sanctuary of Fortune of the Height, and after it one of the Dioscuri. Their images and that of Fortune are of wood.
Within the market-place is a sanctuary of Persuasion; this too has no image.
Hard by is a sanctuary of Apollo Lycius (Wolf-god), now fallen into ruins and not worth any attention. For wolves once so preyed upon their flocks that there was no longer any profit therefrom, and the god, mentioning a certain place where lay a dry log, gave an oracle that the bark of this log mixed with meat was to be set out for the beasts to eat. As soon as they tasted it the bark killed them, and that log lay in my time in the sanctuary of the Wolf-god, but not even the guides of the Sicyonians knew what kind of tree it was.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Sept. 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
There is also in another place a sanctuary of Heracles. The whole of the enclosure here they name Paedize; in the middle of the enclosure is the sanctuary, and in it is an old wooden figure carved by Laphaes the Phliasian. I will now describe the ritual at the festival.
From here is a way to a sanctuary of Asclepius. On passing into the enclosure you see on the left a building with two rooms. In the outer room lies a figure of Sleep, of which nothing remains now except the head. The inner room is given over to the Carnean Apollo; into it none may enter except the priests. In the portico lies a huge bone of a sea-monster, and after it an image of the Dream-god and Sleep, surnamed Epidotes (Bountiful), lulling to sleep a lion. Within the sanctuary on either side of the entrance is an image, on the one hand Pan seated, on the other Artemis standing.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Sept. 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
After this (the sanctuary of Asclepius) is the sanctuary of Aphrodite, into which enter only a female verger, who after her appointment may not have intercourse with a man, and a virgin, called the Bath-bearer, holding her sacred office for a year. All others are wont to behold the goddess from the entrance, and to pray from that place. The image, which is seated, was made by the Sicyonian Canachus, who also fashioned the Apollo at Didyma of the Milesians, and the Ismenian Apollo for the Thebans. It is made of gold and ivory, having on its head a polos, and carrying in one hand a poppy and in the other an apple. They offer the thighs of the victims, excepting pigs; the other parts they burn for the goddess with juniper wood, but as the thighs are burning they add to the offering a leaf of the paideros.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Sept. 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
Ascending from here to the gymnasium you see in the right a sanctuary of Artemis Pheraea. It is said that the wooden image was brought from Pherae.
They say that the neighboring sanctuary of Artemis and Apollo was also made by Epopeus, and that of Hera after it by Adrastus. I found no images remaining in either.
They say that the neighboring sanctuary of Artemis and Apollo was also made by Epopeus, and that of Hera after it by Adrastus. I found no images remaining in either.
On the way down to the plain is a sanctuary of Demeter, said to have been founded by Plemnaeis as a thank-offering to the goddess for the rearing of his son.
On the direct road from Sicyon to Phlius, on the left of the road and just about ten stades from it, is a grove called Pyraea, and in it a sanctuary of Hera Protectress and the Maid. Here the men celebrate a festival by themselves, giving up to the women the temple called Nymphon for the purposes of their festival. In the Nymphon are images of Dionysus, Demeter, and the Maid, with only their faces exposed.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Sept. 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
TITANI (Ancient city) SIKYON
One cannot learn of what wood or metal the image is, nor do they know the name of the maker, though one or two attribute it to Alexanor himself. Of the image can be seen only the face, hands, and feet, for it has about it a tunic of white wool and a cloak. There is a similar image of Health; this, too, one cannot see easily because it is so surrounded with the locks of women. There are images also of Alexanor and of Euamerion; There is also a wooden image of Coronis, but it has no fixed position anywhere in the temple. While to the god are being sacrificed a bull, a lamb, and a pig, they remove Coronis to the sanctuary of Athena and honor her there. The parts of the victims which they offer as a burnt sacrifice, and they are not content with cutting out the thighs, they burn on the ground, except the birds, which they burn on the altar.In the gable at the ends are figures of Heracles and of Victories.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Aug 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
In Titane there is also a sanctuary of Athena, into which they bring up the image of Coronis. In it is an old wooden figure of Athena, and I was told that it, too, was struck by lightning. The sanctuary is built upon a hill.
SIKYON (Ancient city) CORINTHIA
In the market-place under the open sky is a bronze Zeus, a work of Lysippus,7 and by the side of it a gilded Artemis.
In the market-place under the open sky is a bronze Zeus, a work of Lysippus, and by the side of it a gilded Artemis.
Here there is a bronze Heracles, made by Lysippus the Sicyonian.
Here there is a bronze Heracles, made by Lysippus the Sicyonian, and hard by stands Hermes of the Market-place.
In the gymnasium not far from the market-place is dedicated a stone Heracles made by Scopas.
After the theater is a temple of Dionysus. The god is of gold and ivory, and by his side are Bacchanals of white marble. These women they say are sacred to Dionysus and maddened by his inspiration.
As you walk from the temple of Dionysus to the market-place you see on the right a temple of Artemis of the lake. A look shows that the roof has fallen in, but the inhabitants cannot tell whether the image has been removed or how it was destroyed on the spot.
The temple stands in the modern market-place, and was originally, it is said, made by Proetus, because in this place his daughters recovered from their madness. It is also said that in this temple Meleager dedicated the spear with which he slew the boar. There is also a story that the flutes of Marsyas are dedicated here. When the Silenus met with his disaster, the river Marsyas carried the flutes to the Maeander; reappearing in the Asopus they were cast ashore in the Sicyonian territory and given to Apollo by the shepherd who found them. I found none of these offerings still in existence, for they were destroyed by fire when the temple was burnt. The temple that I saw, and its image, were dedicated by Pythocles.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Sept. 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
Turning away from here towards the gate called Holy you see, not far from the gate, a temple of Athena. Dedicated long ago by Epopeus, it surpassed all its contemporaries in size and splendor. Yet the memory of even this was doomed to perish through lapse of time--it was burnt down by lightning--but the altar there, which escaped injury, remains down to the present day as Epopeus made it.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Sept. 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
A little farther away from the sanctuary of Hera founded by Adrastus is a temple of the Carnean Apollo. Only the pillars are standing in it; you will no longer find there walls or roof, nor yet in that of Hera Pioneer.
A little farther away from the sanctuary of Hera founded by Adrastus is a temple of the Carnean Apollo. Only the pillars are standing in it; you will no longer find there walls or roof, nor yet in that of Hera Pioneer. This temple was founded by Phalces, son of Temenus, who asserted that Hera guided him on the road to Sicyon.
The road to Titane is sixty stades long, and too narrow to be used by carriages drawn by a yoke. At a distance along it, in my opinion, of twenty stades, to the left on the other side of the Asopus, is a grove of holm oaks and a temple of the goddesses named by the Athenians the August, and by the Sicyonians the Kindly Ones. On one day in each year they celebrate a festival to them and offer sheep big with young as a burnt offering, and they are accustomed to use a libation of honey and water, and flowers instead of garlands.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Sept. 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
On the stage of the theater built under the citadel is a statue of a man with a shield, who they say is Aratus, the son of Cleinias.
When you have come from the Corinthian to the Sicyonian territory you see the tomb of Lycus the Messenian, whoever this Lycus may be; for I can discover no Messenian Lycus who practised the pentathlon or won a victory at Olympia. This tomb is a mound of earth.
After the tomb of Lycus, but on the other side of the Asopus, there is on the right the Olympium, and a little farther on, to the left of the road, the grave of Eupolis, the Athenian comic poet.
Farther on, if you turn in the direction of the city, you see the tomb of Xenodice, who died in childbirth. It has not been made after the native fashion, but so as to harmonize best with the painting, which is very well worth seeing.
Farther on from here is the grave of the Sicyonians who were killed at Pellene, at Dyme of the Achaeans, in Megalopolis and at Sellasia.
Before the altar (of Athena) a barrow has been raised for Epopeus himself, and near the grave are the gods Averters of evil. Near them the Greeks perform such rites as they are wont to do in order to avert misfortunes.
After the hero-shrine of Aratus is an altar to Isthmian Poseidon, and also a Zeus Meilichius (Gracious) and an Artemis named Patroa (Paternal), both of them very inartistic works. The Meilichius is like a pyramid, the Artemis like a pillar.
Next after this (the sanctuary of Appolo Lycius) are bronze portrait statues, said to be the daughters of Proetus, but the inscription I found referred to other women.
Before this house is a hero-shrine of Aratus, whose achievements eclipsed those of all contemporary Greeks.
Site: Delphi
Type: Treasury
Summary: Temple-like building; the 1st treasury from the entrance
to the Sanctuary of Apollo, on the south side of the Sacred Way, west of the Offering
of the Tarentines.
Date: ca. 500 B.C.
Period: Archaic
Plan:
Small Doric building with cella opening east onto a pronaos distyle in antis.
History:
Built by Kleisthenes after the First Sacred War, this building incorporated in
its foundations the remains of an older tholos and a rectangular monopteros. Dinsmoor
dates this treasury to ca. 413 B.C.
This text is cited Nov 2002 from The Perseus Project URL below, which contains 18 image(s), bibliography & interesting hyperlinks.
Site: Olympia
Type: Treasury
Summary: Small temple-like building; on the north side of the Sanctuary
of Zeus (Altis), the 1st treasury on the west.
Date: ca. 550 B.C.
Period: Archaic
Plan:
Cella opening south onto a Doric distyle in antis pronaos.
This text is cited Nov 2002 from The Perseus Project URL below, which contains 5 image(s), bibliography & interesting hyperlinks.
The precinct near the sanctuary of Persuasion that is devoted to Roman emperors was once the house of the tyrant Cleon.
By the gate they have a spring in a cave, the water of which does not rise out of the earth, but flows down from the roof of the cave. For this reason it is called the Dripping Spring.
After the hero-shrine of Aratus is an altar to Isthmian Poseidon, and also a Zeus Meilichius (Gracious) and an Artemis named Patroa (Paternal), both of them very inartistic works. The Meilichius is like a pyramid, the Artemis like a pillar. Here too stand their council-chamber and a portico called Cleisthenean from the name of him who built it.
Here too stand their council-chamber and a portico called Cleisthenean from the name of him who built it. It was built from spoils by Cleisthenes, who helped the Amphictyons in the war at Cirrha.
In the gymnasium not far from the market-place is dedicated a stone Heracles made by Scopas. There is also in another place a sanctuary of Heracles. The whole of the enclosure here they name Paedize; in the middle of the enclosure is the sanctuary, and in it is an old wooden figure carved by Laphaes the Phliasian.
TITANI (Ancient city) SIKYON
In the portico are dedicated images of Dionysus and Hecate, with Aphrodite, the Mother of the gods, and Fortune. These are wooden, but Asclepius, surnamed Gortynian, is of stone. They are unwilling to enter among the sacred serpents through fear, but they place their food before the entrance and take no further trouble. Within the enclosure is a bronze statue of a Sicyonian named Granianus, who won the following victories at Olympia: the pentathlon twice, the foot-race, the double-course foot-race twice, once without and once with the shield.
This extract is from: Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Harvard University Press
Cited Aug 2002 from Perseus Project URL bellow, which contains comments & interesting hyperlinks.
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